He first attracted attention for painting the estate in which he grew up in the 1970s; The Tile Hill suburb of Coventry.
Once again, I feel Shaw's work supports my work/ photographs from the Negotiated Practice Unit as I focussed on Urban landscapes, high rise buildings and council estates. The main difference between us is methodology rather than the subject matter.
The images above are just a couple of examples of Shaw's enamel landscapes.
(Just a reminder of one of the photographs used for the negotiated practice)
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